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“Fresh air, a breath of it G Jones is.”

February 13, 2015
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Yoda would say “fresh air, a breath of it G Jones is.” With the onslaught and saturization of big room EDM “culture” these days, it’s great to experience a fresh, original and ego-free sound emerge from the West Coast. Liberated from the constraints of a specific bass genre and nerdy enough to appease the haters out there, G Jones has built a solid career based on music. Solid. Fucking. Music. No gimmicks, hype, bought likes or followers, this Jedi’s beats are fresh, his bass lines are enveloping, his kicks knocks and the best part is his music stays psychedelic while giving the feel like of watching a live experiment onstage.

G Jones Promo Photo

 

His homebase of Santa Cruz is symbolic of his sound. It’s a city full of juxtaposition: where the land meets the water, fog and sunshine, hot and cold, wealthy and poor, rednecks and tree-huggers. No surprise that Bassncectar also emerged from this location, an artist also known for his balance of heavy and beautiful (his last album called Noise Vs Beauty). Also no surprise he has been dropping G Jones tracks for years, tapped him to remix his “Don’t Hate the 808” and selected him to open his last NYE360º show in Nashville with Tipper.

But we’ll just let the music speak for itself…listen to this mixtape.

Reno and Tahoe are getting two special nights of G Jones February 18th and 19th, respectively. We wouldn’t be surprised if G Jones outgrows these venues by the time 2016 rolls around. He is one artist that we can say 100% deserves it.

Opening both nights are two extremely talented up and comers: Oakland’s SAYER and Truckee’s CharlestheFirst. PRSN will make a rare area appearance, closing out Reno’s show and playing the free Crystal Bay afterparty in the Red Room with DJ Professor Stone from Fresno.

THE RECIPE (RENO)
EVENT: G Jones, Sayer, CharlestheFirst, PRSN
LOCATION: 1Up
AGES: 21+
TIMES: Doors and music begin at 9pm
FACEBOOK INVITE: http://on.fb.me/1CXHj5p
TICKETS: $10adv/$15door available at www.futurestrange.com, The Melting Pot World Emporium or 1Up during business hours.

 

THE RECIPE (TAHOE)
EVENT: G Jones, Sayer, CharlestheFirst
LOCATION: Crown Room, Crystal Bay Club Casino
AGES: 21+
TIMES: Doors and music begin at 9pm
FACEBOOK INVITE: http://on.fb.me/1vmeWWE
TICKETS: $10adv/$15door available at www.crystalbayclubcasino.com or the cashier cage
AFTERPARTY: Free afterparty featuring PRSN and Professor Stone in the Red Room

 

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BLOG Crystal Bay Nevada For Immediate Release North Lake Tahoe RECENT Reno South Lake Tahoe Tahoe Tahoe City Uncategorized

“Our brakes went out in Colfax, MON!”

January 10, 2014

BLAKE

 

“Our brakes went out in Colfax, mon!”

 

“We heard that so many times at Humpty’s, usually from reggae bands, it ended up as a sign backstage,” laughs Blake Beeman, local sound engineer at the Crystal Bay Club casino. I personally always noticed over the years of working with Blake that overall, even in stressful scenarios (like when we disagreed on something or I dressed up as him on Halloween), he kept a very even-keeled, humble and funny demeanor.  Depending on how long you’ve live in Tahoe, if you ever attended concerts at Humpty’s, Elevation, River Ranch, Crystal Bay Club, Sierra Vista, Rosie’s, Blue Agave, The Funk and Jam Fest, Commons Beach or Blues Days at Squaw, he’s the main guy that has been behind-the-scenes, and particularly sound boards, making sure the show goes on. While fans, as a general rule, tend to cheer for the band onstage, the unsung heroes of the show like Blake have been there for many hours before the doors open, dialing in the sound and lights.

 

Sound is vibration, and it can cause us to react in different ways. The way the sound comes out of the speakers to hit the crowd can affect our moods: it can make us irritable, elated, happy, depressed, connected, etc. I’ve joked recently that Blake’s fingers on a soundboard and his speakers have been the cause for so many hook-ups, friendships, marriages, and even babies, but the more I think about it, the more I find it not really a joke, but reality. His devotion to music has had a really powerful effect on the entire community, and world at large.

 

Blake was recently diagnosed with multiple sclerosis and had his insurance canceled due to “incurable neurological disease.”  The Crystal Bay Club and the community are joining together to throw a benefit to help with rising medical costs on January 15th. Dead Winter Carpenters, Jelly Bread and Carolyn Wonderland have donated their talents for a special event we definitely implore you to attend.

 

I met Blake around 2002 while he was running sound at Sierra Vista, then worked with him at the Crystal Bay Club from about 2005-2010 where I programmed their electronic music (aka “DJ Nights”) and was production manager for a short time (“the water and towel guy”).  The amount of laughs was about equal to the number of things I learned about music, but this isn’t about me….

 

Born in Stuttgart, West Germany, Blake’s father was casual banjo player and Blake asked him for a classical guitar at the age of 5’ which his dad then broke immediately on the way out of the guitar store. Even though he didn’t know how to play, he formed his first band Italic Illusions using cardboard cutouts for amps, drums and speakers and playing to old Beatles records. “I played a tennis racquet for a guitar,” Blake says, and he fired his first in a long series of drummers for going home for bath time.

 

Around 1971, then located in Upland, California, he was the drummer for the band Half Moon and moved to guitar as a better drummer came to school. Playing rotating covers of the likes of Sabbath, Deep Purple and Steppenwolf at junior high dances, all was well until his amp caught fire and the crowd went crazy, tearing down decorations and they were banned from playing and more shows.

 

He moves to Pasadena, and was in the band The Wiz Kids, taking lessons from of Eddie Van Halen (“you could go in and learn all the Zeppelin licks you wanted for $10”). At that time he also started working at The Record Plant learning some sound engineering. Afterwards he moved to Hollywood to play with The Touch, where they played the circuit of Madame Wong’s, Starwood, and the Friday Battle of the Bands at The Whiskey A Go-Go, where whoever got the most beer bottles thrown at the stage was asked to play the next day for $200. During this time he had been able to save enough money to buy a PA, so he’d be mixing sound onstage while also playing guitar. Later, a fabled night at Madame Wong’s, which included a gig and a near “Crying Game” moment with a good-looking blonde, he heads north to Tahoe.

 

He built the Kings Beach Pharmacy with his dad, and started playing in bands again. “Then as life goes full circle….after years trying to land a gig in Hollywood I’m playing a wedding at the River Ranch and meet Dave Mason, who takes me on tour as his guitarist,” Blake laughs. They ended up opening for the likes of Crosby, Stills and Nash, Steve Winwood, etc and playing Willie Nelson’s Farm Aid. All the same time, he’s been playing with his local Tahoe band The Beer Gardeners for the last 21 years.

 

Yet he still comes back to Tahoe, where he brings his PA into the now-fable Tahoe City venue Humpty’s, (eventually turned to Elevations, now Sawtooth Ridge Café), to do sound for a couple shows. And that was historic moment as Humpty’s went on to host such bands as Cake, No Doubt, Ice-T and Body Count, Galactic, Yonder Mountain String Band, Merle Saunders and many, many more. After many years it was THE stop on the north shore for national touring acts. Another pivotal moment for both Blake and the sound industry, he meets Jim Gamble, one of the premier front-of-house sound engineers whom he builds the DCX board with. Considered one of the best soundboards in the world (the Crystal Bay Club has two of them), it cost him his good vision and hours of his life, but sounds like “angels singing” it’s so clean.

 

After the closing of Sierra Vista, the Crystal Bay Club opened, and Blake was able to bring his technical knowledge and expertise into the CBC, helping design and build both rooms for Roger and Elise Norman. There he was part of the team making the venue a nationally renowned “nursery for up-and-coming acts” that contained top-of-the-line production for live bands in both rooms. Standing behind the board at the CBC, he is also running lights, doing sound, and mixing the video cameras….”and I can still talk to girls at same time.”

 

I sat down with  Blake for a few questions:

 

FB: What have been some of your favorite shows you’ve seen:

BB: That’s a near impossible question…I’ve probably seen about 6000 shows! I was roadie Yes for a bit, Jethro Tull “Thick as A Brick,” Band of Utopia (the band that went out on tour after Frank Zappa died), Gov’t Mule at Humptys, I did some of Bonnie Raitt’s acoustic tour, and it was when she was still not-sober ….she was out of her tree, but could sing like a songbird.

 

FB: Who would you love to see at the CBC?

BB: Warren Haynes for sure. Jimmy Herring…he’s come through with so many incarnations that have just blown the few people in attendance away. Widespread Panic holds him back so much, but I’d love to see him back again in one of his own bands.

 

FB: Up and coming bands you are loving?

BB:Fox Street All-Stars, Splitlip Rayfield…like Metallica of street grass.

 

FB: We started working together to do EDM. You didn’t like it at first

BB: No…not that, but sounded like clones of each other. A good producer would come in and I would notice.

 

But it’s been interesting to see it change all through the years of it getting big, first it was house, then breaks, then trip hop, then dubstep, now trap, now going back to house. People that started it out had to evolve because the crowd got sick of it. The electronic music scene became more than just a scene of drinking beer and water with buddies…people REALLY wanted to hear the tracks. That was really cool.…just like no one wants to hear the same cover band over and over again, people wanted to actually come out and hear the sounds these guys were making.  And ya know, EVERYONE starts in a living room doing a house party (bands included).

 

FB: Any advice for musicians?

BB: Enjoy everything you do as a musician. STAY HUMBLE.  Same with sound engineer.

 

FB: Any advice for up and coming sound engineers?

BB: If learning…be observant without being annoying. When people are working don’t bother them.

 

 

9 p.m. Tickets for the 21+ show start at $25, booths for $50. You can purchase pre-sale tickets for the show at the Crystal Bay Club cage or at http://www.cbc.tickets.musictoday.com/CrystalBayCasino/calendar.aspx

If you’d like to donate to Blake there is an internet donation site that you can go to and use Paypal. It is a two-step process. Go to the URL below. Once Tahoetopia comes up enter Blake in the search window on the top right. This will pull up topics relating to Blake. The first is a link to the donation portal.

Here is the URL: http://www.tahoetopia.com/

 

IS THAT BLAKE?

 BLAKE IS STEVE

 

Photo credit: Truffles Ziz McCrushing  

 

 

 

BLOG Crystal Bay Nevada PRESS Reno Tahoe Uncategorized

POLISH AMBASSADOR with DJ Vadim at Biltmore (Tahoe)

September 24, 2013

The Polish Ambassador kicks off his fall tour in Crystal Bay, NV at the Tahoe Biltmore on October 3rd, 2013 with DJ VADIM & WILDLIGHT plus visuals by LIMINUS.

$15adv/$20day of show
21+ / Doors 9pm / show + music 9:30pm

Tahoe Biltmore,     5 Hwy 28,    Crystal Bay, NV

Advance tickets available at http://freshbakin.inticketing.com

* THE POLISH AMBASSADOR featuring visuals by LIMINUS *

For the Polish Ambassador project, born on the richly-colored streets of Chicago and San Francisco, infectious melody is paramount. However, this never overshadows the depth and harmonic complexity that have made the Ambassador a favorite amongst festival curators and beat aficionados worldwide. Over the course of 6 years, his sound has dipped and swirled through a staggering range of styles, with each album exploring uncharted
sonic territory. Warm, analogue dreamwave; mind-altering glitch; worldinfused groove; bass-fueled breaks; sexified downtempo; electric lullabies; and psy-fi funk are just a few of the genres that have poured from the
Ambassador’s soul into earbuds and ghetto-blasters across the galaxy.

Despite the political connotations of his name, the Ambassador is not a political partisan. Rather, he is a diplomat for a new paradigm rooted in creative joy, radical self-expression, and ecological principles. As part of this mission, the Ambassador has committed to carbon-neutral touring, instigating exploratory dance, and igniting fan participation.

Flanked on the Ambassador’s left is visual artist Liminus, a master of translating dynamic, sonic landscapes into breathtaking video projection. Liminus’s improvisational abilities are a perfect compliment to the Ambassador’s custom-tailored audio transmission, and his presence on stage allows for an audio/visual synergy rarely witnessed in electronic music performance.

Together, the duo will take you on a voyage that leaves you drenched in sweat, with a smile slapped on your face, and a heart busted wide open. Check the calendar, TPA’s Space Escalade is likely docking at an Earth city near you. To prepare yourself download the Ambassador’s 11 album, 30 remix discography for “Name Your Price” at http://thepolishambassador.bandcamp.com/

All of TPA’s music is available for FREE:

http://thepolishambassador.com/free-music

Stream his latest album Ecozoic on Soundcloud: http://snd.sc/12rweaS

Stream the brand new release from Wildlight on Soundcloud:  http://snd.sc/15jdwjb

Web Links:

http://thepolishambassador.com
https://www.facebook.com/thepolishambassador
https://www.youtube.com/thepolishambassador
https://soundcloud.com/thepolishambassador
https://twitter.com/Polish_Ambass